A platinum and diamond solitaire ring. With a large brilliant cut diamond, approximately 4.2ct, in a four claw setting. Gross weight 7.93 grams, size L.
A platinum diamond set dress ring. The principle stone of light straw colour approximately 3.5ct is surrounded with a milligrain set halo of 20 brilliant cut diamonds. Gross weight 8.82 grams, size H.
An Art Deco style platinum, diamond and sapphire ring. Milligrain set with a round cut diamond, approximately 1.5ct, on a canted pierced square panel with a double halo of sapphires and diamonds. Supported on shoulders each set with 3 diamonds. Signed Sophia D. Gross weight 6.73 grams, size N.
A platinum and diamond tennis bracelet. Set with 45 brilliant cut diamonds each approximately 0.22ct (3.8mm), gross weight 20.18 grams.
A George III Chinese Chippendale giltwood pier mirror. The openwork frame having floral motifs to the pediment and adorned with Rococo style C-scrolls, 1m 30cm x 68cm.
A late 17th / early 18th century portrait miniature of a European noblewoman wearing pearls and a ruff. In gold and silver mount set with rose cut diamonds, 5.5cm x 4.5cm.
An 18 carat white gold sapphire and diamond cluster ring. Set with a large ovoid sapphire, 12mm x 9mm, under a border of 12 brilliant cut diamonds, each approximately 0.2ct each. Gross weight 9.62 grams, size L 1/2.
A pair of white metal diamond solitaire ear studs. Each with a large brilliant cut diamond in a four claw setting. Each approximately 1.3ct (7mm), gross weight without backs 3.14 grams.
A Japanese Edo period square tapering flask. Painted in underglaze blue with karakusa scrolls to the shoulder and alternating panels of landscapes and peonies. Possibly Arita, 24cm.
A pair of mahogany Gainsborough armchairs with tan leather upholstery and raised on reeded square supports.
A fine 19th century French Japanese-style (Japonaise) lacquered brass repeating carriage clock by A. Dumas. With faux bamboo column supports and three komei type bronze overlay panels, the sides depict figures at various pursuits and the dial mask is ornamented with a swan. With silvered dial under a copper slip and having black enamel Roman numeral markers. Housing an 8 day movement with platform escapement striking half hourly on a gong and with repeating mechanism. Makers stamp A. D. underneath the case, 19.5cm high including the handle extended, 10.75cm wide, 10cm deep.
An 18th century Chinese ginger jar with associated pierced hardwood cover and stand. Painted in underglaze blue with two panels containing figures. Mark of two concentric rings. Porcelain 20cm.
A pair of early 19th century pearlware lions of Ralph Wood type. Each decorated in coloured enamels and modelled passant guarding a ball and raised on stepped marbelized plinths, 23.5cm wide.
An 18th century Flemish oyster veneered kingwood strong box with brass Gothic strapwork mounts. Having faux fall front revealing two hidden drawers, with brass loop carrying handles and raised on brass ball feet, 44cm wide, 30.5cm deep, 32.5cm high.
An early 19th century ladies Portuguese rosewood centre pedestal vanity table. With an oval cheval mirror on barley twist supports, a single drawer, acanthus carved frieze, raised on a centre pedestal formed as a cockerel over four scrollwork feet terminating on lion masks, 1m 28cm high. Provenance; Insured in 1940 by the present vendors family as a 17th century ladies walnut toilet table, purportedly bought from a Country House sale at Lambeth Palace prior to that.
A Newport pottery Clarice Cliff Bizarre range Lotus vase. Decorated in brightly coloured overglaze enamels with the Sliced Circles pattern. Printed mark, 29cm.
A fine Royal Crown Derby pudding plate from the Judge E. H. Gary service. Painted by Albert Gregory with panels of flowers framed within elaborately moulded gilt borders incorporating a G. monogram by George Darlington on gros bleu and turquoise grounds. Signed by both artists, printed mark in gilt with Royal Warrant, Tiffany & Co. Mark and impressed Derby, date code for 1909, 24cm wide.
A pair of Regency walnut two tier single drawer side tables. Each with brass gallery and specimen wood parquetry inlaid tops. Raised on scrolling supports with ormolu mounts, 78cm.
A framed 17th century domestic embroidery, three maidens in a river landscape with buildings and a dog in the foreground, 18cm x 14cm.
A William IV unframed woolwork sampler. The Tree of Dissipation, Elijah and Elizabeth Chadwick, 1835, 38cm x 37.5cm.
An early 19th century Italian ebonized side cabinet. With penwork ivory inlay, swan neck pediment, mirrored back section and twist column supports, 156cm high.
A pair of antique Chinese hardwood rectangular boxes and covers with chamfer edges carved with a Greek key design and raised on bracket feet. The cinnabar lacquer covers with flower head and swastika motif diaper grounds are each decorated with an archaic scrolling red ground pierced panel ornamented with masks and dragon heads, 44.5cm x 28cm.
A pair of 18th century Italian giltwood and gesso girandoles. Ornamented with flower heads and C-scrolls, 70cm x 37m.
A set of twelve Lenox porcelain demitasse cups with sterling silver mounts and saucers retailed Tiffany & Co. Silver 1,572 grams.
Manner of Johnstone Jupe & Co. A Regency mahogany library table raised on slender reeded baluster supports, 1m 36cm x 1m.
A Victorian novelty silver vesta / cigarette box by George Heath and retailed by Asprey & Sons. Modelled in the form of an upright piano. Assayed London 1886, 139 grams, 7.25cm high.
A George II silver five bottle Warwick cruet by Samuel Wood. Raised on three shell moulded feet and with applied cartouche engraved with a bishops armorial crest. Stand and one small caster assayed London 1750, the other small caster 1743, the large caster 1748. Silver weighs 1041 grams, 28cm.
A Royal Worcester twin handled pedestal urn and cover by John Stinton. Finely enamelled with a pair of grazing highland cattle in a landscape. Signed, printed puce mark, date code for 1918, shape number H313, 35cm.
A small Royal Worcester reticulated ewer by George Owen and Harry Chair. Edged in gilt and with a fine pierced band to the ovoid body painted below with flower swags. Remnants of a brown printed mark and incised G. Owen, 12cm.
A 15 carat gold cased ivory portrait miniature brooch / pendant studded with seed pearls. Portrait of a young woman, with engraved inscription verso, Mrs Fitzherbert, by Cosway, (after Wallace), Louie Foxhall, Mansfield. In velvet fitted leather case and along with a framed stipple engraving of the same sitter, John Conde, 8cm x 6.25.
A Royal Worcester wall charger. Painted by Frank Roberts with peaches and grapes. Signed, printed blue mark, date code for 1912, 30cm diameter.
London 2012 Olympic Relay Torch in cotton sleeve. A prototype torch, one of a number produced prior to full torch production. This torch differs from the final production only in the details of the logo, this version bearing only a blocked outline of the London 2012 brand, 80cm.
A fine Royal Worcester ogee shaped pedestal bowl. Painted by Richard Sebright with apples, grapes and a single strawberry under a gilt railroad border and with a matt black exterior. Signed, printed blue mark, date code for 1936, shape number 2770, 26.75cm.
A Regency mahogany settee probably by Gillows of Lancaster. With carved scrolling arms and raised on reeded tapering supports, 1m 75cm wide.
William Brodie R. S. A. (1815-1881). An oversized carved white marble head and shoulders portrait bust of a gentleman on socle plinth. Inscribed verso, Wm Brodie R. S. A . Sc. 1877. Raised on a painted square tapering pedestal Marble 82cm.
An early 19th century Chippendale style mahogany secretaire bookcase of small proportions. With open fret swan neck pediment and blind fret carved frieze, having astrigal glazed doors, ivory escutcheons and raised on bracket feet, 2m 19cm high, 74.5cm wide, 51cm deep.
Laurence Stephen Lowry R. A. (1887-1976). Ferry Boats, coloured print in silvered frame. Published by Venture Prints Ltd 1972, signed by the artist in pencil, blind stamp, 33.5cm x 42cm.
A set of ten Hepplewhite style dining chairs including a pair of carver armchairs, bearing label by S. & H. Jewell, High Holborn, London.
An 18th century Chinese ginger with matched hardwood stand and meiping cover pierced with dragons and a shou character. Painted in underglaze blue with a ground of cracked ice and blossom, having shaped reserves each containing a kylin in a landscape. Mark of two concentric rings. Porcelain 17cm.
A ladies Art Deco Omega white metal and diamond manual cocktail watch in case. Having satin dial and baton markers. With diamond bezel incorporating a pair of brilliant cut diamonds each approximately 0.25ct and a further fourteen stones each approximately 0.04ct, the bracelet also set with thirty two diamonds arranged in two rows approximately 0.05ct each.
A George III Irish mahogany bureau bookcase. The top section with double dome top, strung panelled doors and fitted internal compartments. The bureau base with further strung inlay and fitted internally, decorated with marquetry corinthian columns concealing hidden drawers and flanking the portrait of a warrior, 218cm high, 96cm wide, 53cm deep.
A Regency mahogany centre pedestal library table of square canted form. Crossbanded and with two sections opening on a rotating mechanism, one fitted. Raised on a spreading centre pedestal and with carved double scrolling supports terminating on brass paw casters, 75cm high, width of the top 52cm.
A 15ct gold drop pendant set with two diamonds supported on a gold chain.
A fine Japanese Meiji period ivory okimono carved as a seated bijin raised on a hardwood plinth. Folding an embroidered cloth and with a basket of vegetables to her side. Signed underneath, ivory 14cm.
A fine Queen Anne silver and ivory circular table snuff box with piquet inlay to the top and bottom of the cover. Label inside, selected by the Victorian & Albert Museum for the Lamplugh Bequest. Metal not marked, 9.75cm diameter.
An 18th century Chinese ginger jar with associated hardwood cover and stand. Painted in underglaze blue with a ground of cracked ice and blossom with shaped reserves containing precious objects. Mark of two concentric rings, porcelain 18cm.
An 18 carat white gold, diamond and sapphire bangle. Pave set with a ground of diamonds and 11 squares each containing 4 sapphires. Gross weight 31.14 grams.
Josef Lorenzl (Austrian 1892-1950). A Goldscheider Art Deco pottery figure of a Tarantella dancer with a tambourine. Coloured in enamels and raised on an oval plinth. Impressed and printed marks, signed, 36cm.
A Queen Anne burr elm chest on stand. Crossbanded and with feather stringing , having bronze drop handles, escutcheons and raised over a two drawer stand with bun feet, 118cm high, 101cm wide, 57cm deep.
An antique Chinese celadon jade carving of a lion dog and its young with russet markings. The female beast modelled recumbent with her head turned toward her puppy rolled upon its back facing her, 9.5cm wide.
An Art Deco white metal ring with three rub over set diamonds to each shoulder supporting a canted and pierced rectangular table set with a central round cut diamond approximately 0.1ct, upon a ground of round cut diamonds within milgrain borders and a pair of sapphires to each corner. Size O.
Remy Martin Louis XIII Fine Champagne Cognac 70cl. Boxed and in a Baccarat crystal carafe No. K 6001.
A gentleman's vintage stainless steel Rolex Oyster Perpetual Air King bracelet watch. With screw down crown and case back. Champagne dial with arrow markers, pointed baton hands and centre seconds.
A Sevres coffee cup and saucer. With tooled gilding over coloured grounds and finely painted in reserves with baskets of flowers and tables of fruit. Painted crossed Ls mark, painters mark for Jean-Jacques Pierre, date code for 1785, saucer 13.5cm diameter (2).
A 19th century antler back elbow chair on a carved walnut base. Incorporating three pairs of stag antlers and raised on hoof supports.
A pair of Victorian taxidermy framed exotic birds under oval glass domes, 32cm x 25cm.
A 19th century French assembled ormolu clock garniture with Sevres style panels. The clock with urn shaped finial is painted with a Watteaesque scene and housing and eight day movement striking half hourly on a bell, stamped H. P. & Co. Flanked by a pair of larger covered urns, turquoise ground, gilded and jeweled and each finely enamelled with Classical subjects. Urns, 38cm.
A 19th century Chinese Doucai lobed dish. Painted in underglaze blue and polychrome enamels with panels containing lotus scrolls framing a central roundel design. Six character Qianlong seal mark, 26.25cm wide.
An 18th century Chinese reverse painted mirror in moulded hardwood frame. Portrait of Liu Hai the God of wealth with his three legged toad, 44cm x 32cm.
A Regency tortoiseshell tea caddy housing two lidded compartments and raised on four brass ball feet, 19.75cm wide.
A Cairo inlaid octagonal mahogany side table with profuse mother of pearl and ivory decoration, 47cm high.
Gordon Radford (1936-2015). A framed oil on board, coastal scene with beached fishing boats and figures. Signed, 35cm x 60cm.
A Peruvian caneware hat with beadwork decoration and a similar bangle decorated with a geometric pattern of beadwork. Hat 35cm diameter (2).
A pair of early Rockingham dessert plates with anthemion and gadroon moulded borders. With gilt and green enamelled arabesques framing central flower compositions by John Creswell. Red printed statant griffin marks, pattern 409, 1826, 23cm wide.
A Bow blanc de chine figure of Neptune. Riding upon the back of a large dolphin and dressed in a long flowing cloak c1760, 16cm.
A Chelsea coffee cup, tea bowl and saucer. Painted in the Meissen style with Deutsche Blumen, the cup with naturalistic stalk moulded handle with foliate terminals. Red anchor marks to the cup and saucer c1755, saucer 12.5cm diameter (3).
A Moorcroft pottery vase or lamp base of cylindrical form. Flambe glazed and tube lined in the cornflower pattern. Signed monogram and facsimile signature stamp c1928-49, 28.25cm.
A rare West Pans mug with scrolling handle. Moulded with rococo panels on a fluted ground, the top portion ground in Littler's blue and each panel painted in coloured enamels, one with a fancy bird and butterfly and the other with a bouquet in Trembly Rose style c1770, 15.25cm.